The conservatory and garden at Monk's House
October, 2013
If "places explain people" as David Garnett once said, then Monk's House goes a long way towards explaining Virginia and Leonard Woolf. I have been reading Virginia Woolf's books since I discovered her in my early twenties and she is one of my favorite writers. I had always dreamt of visiting her country house in the village of Rodmell located in Sussex, England. Last fall I finally made the pilgrimage. I wrote a bit about it here, with a promise to write more. One of my favorite things to do when traveling is to visit the homes of the writers I love. And I had a feeling that a journey to Monk's House would be filled with meaning for anyone who loves the books of Virginia Woolf.
There has been much written about Monk's House over the years and I have eagerly read what ever I could get my hands on. In addition, when I was in my twenties I did what today I can only marvel at: I read all six volumes of Virginia Woolf's letters! Better than any biography, I thought at the time, for getting a real sense of a person. Through them I learned about the Woolfs purchase of the house as well as their experience of living in it. More recently I read a great article with gorgeous photos in "The World of Interiors" ( go here to read more) and at that point I made up my mind. I had to see this house for myself. And so when I planned our trip to England in the fall, a visit to Monk's House was top priority.
In a way, being there felt strangely comforting and familiar. Maybe because of all that reading. For example, I knew that Virginia chose the village of Rodmell because of its proximity to Charleston, the home of her sister Vanessa Bell. The surrounding countryside looked very much like that around Charleston. I knew that the house was a sanctuary for Virginia's writing as well as a gathering place for her friends who talked and gossiped late into the night. And Virginia could be a mischievous gossip. I knew that she had a fondness for the color green and despite her sister Vanessa's ridicule (which was especially stinging since Vanessa was a painter), she used it in every room. And that most things in the house had been hand-made and decorated by Vanessa and Duncan Grant -- the needlepoint pillows, the seat backs of the dining room chairs, the tiles covering the table in the sitting room, just to name a few. I knew that when she made a little money she added on a bedroom for herself. And that Leonard had created a beautiful garden for them both. And yet, there was no way to really understand this place without walking though the doors.
There has been much written about Monk's House over the years and I have eagerly read what ever I could get my hands on. In addition, when I was in my twenties I did what today I can only marvel at: I read all six volumes of Virginia Woolf's letters! Better than any biography, I thought at the time, for getting a real sense of a person. Through them I learned about the Woolfs purchase of the house as well as their experience of living in it. More recently I read a great article with gorgeous photos in "The World of Interiors" ( go here to read more) and at that point I made up my mind. I had to see this house for myself. And so when I planned our trip to England in the fall, a visit to Monk's House was top priority.
In a way, being there felt strangely comforting and familiar. Maybe because of all that reading. For example, I knew that Virginia chose the village of Rodmell because of its proximity to Charleston, the home of her sister Vanessa Bell. The surrounding countryside looked very much like that around Charleston. I knew that the house was a sanctuary for Virginia's writing as well as a gathering place for her friends who talked and gossiped late into the night. And Virginia could be a mischievous gossip. I knew that she had a fondness for the color green and despite her sister Vanessa's ridicule (which was especially stinging since Vanessa was a painter), she used it in every room. And that most things in the house had been hand-made and decorated by Vanessa and Duncan Grant -- the needlepoint pillows, the seat backs of the dining room chairs, the tiles covering the table in the sitting room, just to name a few. I knew that when she made a little money she added on a bedroom for herself. And that Leonard had created a beautiful garden for them both. And yet, there was no way to really understand this place without walking though the doors.
And so on a beautiful autumnal day we made the trek to Sussex.
We parked the car and walked the short distance to the property. The brick and weather-board cottage is so modest and unpretentious that you would never notice it except for the sign pointing you in its direction. The Woolfs never used the door facing the street, preferring to enter through the garden door round the back. We were soon to find out why.
Photo via here
But I quickly got over my photo dilemma when I walked around the side of the house and was greeted by this -- the conservatory that looks out onto Leonard's garden. This is where they entered the house and where we entered, providing a brief glimpse of the gorgeous garden. The garden was much bigger than I had imagined and contained lovely expanses of grass, flower borders, garden ornaments, benches and an apple orchard. I had no idea how important the garden was to Monk's House; it was easy to see that this was why Leonard and Virginia had bought the house. But we would see the garden later. First came the tour of the house.
Apples from his orchard, what a great image of autumn!
The first room we came to is the tile-floored sitting room and, yes, it is painted Virginia's beloved green. This cozy spot in front of the fireplace was a favorite of hers for reading in the evenings. I could also imagine her sitting here with friends and talking late into the night.
I have never seen one made out of needlepoint -- just beautiful!
Much of the furnishings and decorative objects were designed by Duncan Grant and Vanessa Bell.
Everywhere you look you see needlepoint, even in the frame of the mirror.
Most of the needlepoint was designed by Duncan Grant and worked by his mother.
The chairs were designed by Duncan Grant and the yellow seat backs were worked by Mrs. Grant.
In the corner is Virginia's collection of Shakespeare which she bound in colorful papers. In 1936 she wrote to E.M. Forster that she was "rebinding all my Shakespeare - 29 volumes - in coloured paper," labelling the spines herself. Lady Ottoline Morrell gave her this Chinese silk shawl.
Don't you love the idea of covering a favorite collection of books with beautiful papers like these?
I think we should bring this custom back.
Next it was off to the garden...
This is the quote chosen for the day. Poor Rex Whistler!
We sat on a bench and looked out at this peaceful scene. What a great spot this would have been for afternoon tea or playing bowls on the lawn.
Leonard would have been proud of his apple trees which were bursting with fruit on the day we visited. I caught a glimpse of Virginia's writing hut though the branches.
It is easy to imagine their lives in this magical setting. Virginia would have read by the fireplace, entertained friends in the garden, presided over meals in the dining room, worked in her writing hut, and taken walks in the beautiful countryside while creating characters in her mind. Leonard would have worked in the garden and the conservatory, happy in the knowledge that he was creating a peaceful place for Virginia to retreat when the noise and tumult of London got to be too much. For both of them, it must have been paradise.
If you get a chance, pick up the new issue of The English Home to see an excellent article on Monk's House. This one is an extract from the new book Virginia Woolf's Garden by Caroline Zoob who lived in Monk's house with her husband as tenant-curator for ten years.
