Friday, March 4, 2016

Downton Abbey Finale


What will you be doing Sunday night? Silly question, I know. We will all be tuned in to watch the very last episode of "Downton Abbey"! Oh, I will miss it! It's hard to believe this series is coming to an end. Will you be celebrating with a party or watching in your pajamas? I will probably be doing the latter. Which ever way you choose to honor the occasion, I suggest you have a box of tissues nearby. I have been very careful to stay away from spoilers, but it's hard not to imagine some emotional moments.


What am I hoping for? A happy ending for Edith and Thomas, two characters who have suffered a lot over the last six seasons. The penultimate episode found them both hitting rock bottom which means there's only one direction for them to go and that is up. And I think we all hope Mary will become a nicer person. We'll see what happens. One thing is for certain -- this show has been a phenomenon unlike anything in recent memory. And the finale should be one of the most watched television events in history. I can't wait to learn how many people tune in. I am very excited to see how Julian Fellowes wraps it all up. His ability to create compelling narratives, appealing characters, historic events, period details and magical settings has been awe-inspiring. The costumes, the music, the drama -- it's been a joy to watch. And it doesn't hurt that the show is filmed in a stunning castle in the glorious English countryside!


What will Julian Fellowes do next? I have heard he is developing a new television show called "The Gilded Age," inspired by the novels of Edith Wharton. It will be interesting to follow his career. He is so talented. Wishing you a fun-filled "Downton Abbey" weekend!

What are your hopes for the final episode?
Go here for an entertaining recap of the whole series.

Monday, February 29, 2016

Sotheby's Auction: Deborah, Duchess of Devonshire


This weekend I spent a few hours poring over the catalogue for the upcoming Sotheby's Auction on March 2 of the contents of the home of Deborah, Duchess of Devonshire. She was the last of the legendary Mitford sisters. Although she mostly avoided the limelight, in 1941 her life changed forever when she married Andrew Cavendish, the second son of the Duke of Devonshire. They unexpectedly inherited Chatsworth estate, one of England's most splendid houses, when Andrew's older brother died in the war. They became the Duke and Duchess of Devonshire and moved into Chatsworth House in 1957. This was a mixed blessing as it had been badly neglected during two wars as well as in a great amount of debt due to inheritance taxes.

The Dowager, Duchess of Devonshire, photographed at Chatsworth in 1995

They set about saving the estate by selling thousands of acres of land and giving many works of art and ancient books to the National Treasury. And slowly but surely they turned the estate into a successful business. By the 1960's and 70's thousands of tourists were visiting the house and gardens. In 1977 a farm shop selling local produce, one of the first of its kind, was opened. This was one of the many ingenious ideas from the Duke and Duchess that helped the estate turn a profit. Today more than 700 people are employed in the running of the estate for more than a million annual visitors, as well as helping run the many events which bring in more tourists.

Chatsworth House

Deborah was largely responsible for bringing the house back to life and turning it into one of England's most popular and beloved historic houses. Sotheby's will be offering the contents of her final home, the Old Vicarage at Edensor on the Chatsworth estate. It includes the wonderful objects with which she lived -- from exquisite jewels gifted to her by her husband to a rare copy of "Brideshead Revisited" personally inscribed to her by her friend Evelyn Waugh. This historic auction will offer fine and decorative art (I counted three paintings by Duncan Grant!), furniture, china, jewels, and the Duchess of Devonshire's library. Here are a few images of her home:

























I was in England in September, 2014 when Deborah Mitford passed away at age 94. I was touched by the huge outpouring of sympathy and articles about her in all the newspapers. She was an admired woman in Britain, considered gracious, down-to-earth and credited as the driving force behind making Chatsworth House one of England's most popular stately homes. If you want to know more about her read Wait for Me, her wonderful memoir about growing up in the storied Mitford clan, her life with Andrew Cavendish, and living at Chatsworth. She was a talented writer and her story is enchanting.

Oh to be in London for this! The auction is happening on Wednesday, March 2. Viewing is from February 27-March 1. Go to Sotheby's to watch the amazing video of how they put this auction together. If you are in London and get a chance to see this, please let me know. I would love to hear about it. What an opportunity to see Deborah Mitford's beloved objects and interiors before they go on sale at auction.


P.S.  I am very excited about the new banner for my blog. After all these years, it was time for a change. The talented team at Thunderwing Press created it for me and I couldn't be happier!

Monday, February 22, 2016

Out And About


Winter seems to be coming to an end, at least here in Los Angeles. Hopefully we will get some more rain but this week the temperatures are going to be in the eighties. And everyone wants to be out and about. I was in Sonoma for Valentine's Day weekend and had the opportunity to relax and read some of my favorite magazines, newspapers and websites. So many exciting items caught my eye. As always, there is a lot going on in the spring. I thought it would be fun to compile a list of some cultural happenings that look especially good to me. Here are some of the art, literary, and garden events I've spotted recently. I hope to make it to some of these. They are guaranteed to make the spring season just a little sweeter!

In Southern California...


Catherine Opie: Portraits at the Hammer Museum in Los Angeles

Woven Gold: Tapestries of Louis XIV at the Getty Center in Los Angeles

Literary Affairs lecture on Love in the Time of Cholera on March 10 at the Hotel Bel-Air

In San Francisco...

Oscar de la Renta: The Retrospective at the de Young Museum in San Francisco

In New York...


The fourteenth annual Orchid Show at the New York Botanical Gardens. This year's theme is Orhcidelerium: the history of orchid collecting.

In London...

Painting the Modern Garden: Monet to Matisse at the Royal Academy of Art

Botticelli Reimagined at the Victoria & Albert Museum

Vogue 100 -- A Century of Style at the National Portrait Gallery

And in the world of books...

An unknown story by Beatrix Potter has been discovered and will be published by Penguin




A new garden book:  Oxford College Gardens by Tim Richardson

A new cookbook spotlights 25 female chefs who are redefining cooking in New York

Television...

The last episode of "Downton Abbey" will air on March 6. Oh the sadness...

 "Outlander" will return on April 9

Theater...

A Grammy win for "Hamilton!" This was so well deserved.

And photography...

Stunning photos of Adele by Annie Leibovitz in the March issue of Vogue

The spring arts season is officially in bloom!

Wednesday, February 10, 2016

Emma Tennant, Botanical Artist



Many years ago I took a class on botanical watercolors. It was a humbling experience. But I was excited to try it out since I have never had any skill as an artist. I enjoyed the challenge. For one week we studied our subject and were instructed in the art of botanical watercolor painting. I learned about looking and seeing the flower (mine was a fuchsia) as I'd never done before. I loved mixing colors and painting with watercolors. But I was amazed at how difficult it was to capture my subject. To this day I stand in admiration of those artists who are able to render beautiful representations of nature's beauties. And every time I see an accomplished botanical painting I remember how challenging it was to paint that flower!

With spring around the corner, I've been thinking about gardens and looking at botanical art. I have read that the ability to capture the essential nature of a plant lies at the heart of the best botanical art. And lately there's one name I've been drawn to: British artist Emma Tennant. Her delicate watercolors are beautiful and have a freshness and immediacy that makes them stand out. Although I've never seen her work in person, I am now completely in love with it. Since she recently had a show in London, there has been a lot of press on her and I have been enchanted with everything I have seen and read. Here are some of the highlights:

She is part of the storied Mitford family and grew up on the estate of Chatsworth House which her parents inherited when she went off to college. She is the daughter of the youngest Mitford sister, Deborah. Her daughter is the well-known model Stella Tennant. Her other daughter Isabel is a gifted gilder and with Stella runs Gilded Pleasures by Tennant & Tennant. They produce a handmade collection of gilded lamps, mirrors and carved flowers. Their mother Emma has been gardening most of her life, studied painting in college, but only took it up seriously after her children were born. Her love of gardening and her talent as a botanical artist go hand in hand.

She spent her childhood at Edensor, a family house on the Chatsworth estate in Derbyshire. The garden on the estate was a big part of her life. While at Oxford she painted and drew at the Ruskin School of Art. She married Toby Tennant and they bought a neglected farm in the Scottish borders and restored it. After having three children and setting up the farm, Tennant converted a small outbuilding into a studio and began her career as an artist there. Her experience as a gardener was key to her success as a painter. She knew the plants as only a gardener would. Her painting style is unique and deeply influenced by the flowing technique of Chinese and Japanese artists. Because their art was on scrolls or screens rather than contained in books or frames, they were able to do great flowing lines. She decided to incorporate this looseness into her art by using absorbent Japanese paper which allows her brushstrokes to bleed into the surface. This gives her paintings a distinctive look.

Take a look at some of her watercolors.  I think you will agree that they capture the essential nature of the plants, which is what the best botanical art does. And they are full of joy and poetry.
















Emma Tennant describes her art as "botanical accuracy with a free line." What a perfect description. Most of her watercolors are framed by her daughter Issy who has been a gilder for 30 years. I loved learning about this inspiring family of women, their art and the Chatsworth connection. Hailing from Deborah Mitford, Chatsworth was an influence on all of them. Emma was affected by the garden and daughter Isabel was affected by the beautiful carved flowers she discovered at the Chatsworth attic sale, bringing this concept into her gilding business. I learned that Chatsworth is famous for many garden and architectural features, including its gilding which adorns the rooms and even the window frames on the outside of the house. It seems that both Emma and her daughters discovered their artistic calling through the legacy of this great house. What a remarkable group of women and artists. Next time I have an opportunity I will make a beeline to see Emma Tennant's art.

Images via here, here, and here

Wednesday, January 13, 2016

Inspiring Places...The Frick Collection

Lady Hamilton as 'Nature' by George Romney

The Frick Collection in New York city is an oasis of beauty and peace for everyone who visits. Housed in the elegant Gilded Age mansion that once belonged to Henry Clay Frick, this small museum offers a lovely setting to view art as well as a comfortable place to feel in touch with history. Every time I am in New York I visit the Frick and am always happy to return. There are certain paintings that I love and check in with during my visit. In addition to its fabulous permanent collection, the Frick also has fascinating exhibitions.

One of my favorite paintings is the portrait (above) of Emma Hamilton by George Romney. I have been interested in it since I read "The Volcano Lover" by Susan Sontag. That book told the story of Emma Hamilton, Sir William Hamilton and Admiral Nelson. Emma was the muse of George Romney. She started out as the daughter of a blacksmith and went on to marry Sir William Hamilton, the British ambassador to Naples. She had a scandalous affair with the great naval hero Admiral Nelson. She was an 18th-century superstar and this painting shows her in the early days as a young, unaffected teenager at the outset of her career.

When I went to the Frick's website, I learned some interesting information about this painting. Emma was 17 years old when she posed for this portrait commissioned by her lover the Hon. Charles Greville. She was a beautiful young woman and Greville hoped to make some money by selling Romney's paintings of her. However he eventually grew tired of Emma and asked his 62-year old uncle Sir William Hamilton to take her off his hands. Hamilton did more that that; he married her. He took her to Naples where she became a sensation due to her beauty and talent for assuming "attitudes," romantic posturing achieved with shawls and classical draperies in which she became a living work of art. In Naples Emma met Admiral Horatio Lord Nelson with whom she had a notorious love affair which continued until his death in 1805. Though she inherited money from both her husband and her lover, her extravagance led her into debt and she died in poverty.

"St. Francis in the Desert" by Bellini

I also loved the exhibition a few years ago of Bellini's "St. Francis in the Desert." The exhibition was about the research that the Frick undertook in conjunction with the Metropolitan Museum into some the great mysteries surrounding this painting and its meaning. They used infrared technology to create the first complete image of the underdrawing that guided the artist's hand. I was impressed by the level of study and analysis that went into the process. The exhibition reminded me that museums are not just static institutions displaying works of art but vibrant institutions of learning where continual study and research keep the art alive, meaningful and relevant. It was inspiring to learn what goes on behind the scenes of our greatest museums.

Thomas Cromwell by Hans Holbein

Ever since I read Hilary Mantel's books on Thomas Cromwell this painting by Hans Holbein has taken on new life for me. I now check in with it each time I visit the Frick. It sits across the fireplace from a portrait of Cromwell's mortal enemy Thomas More. In fact, they hang face to face. We know from Mantel's book that Cromwell was a ruthless man. This painting shows his intensity in his face as well as his body language. He looks like a successful man, always on the alert and ready for anything. He is prepared to do the business of the king.


"Winter" by Francois Boucher

And for sheer delight and beauty these panels representing the "Four Seasons" by Francois Boucher always knock me out. They are simply stunning. "Winter" is my favorite. From the website I learned that Boucher made the panels for one of the homes of his major patron Madame de Pompadour and that they were probably intended for over door decorations. The subject of each painting is love. "Winter" depicts a snowy scene with a young man dressed in a Russian costume pushing the heroine in an elaborate Rococo sleigh. She wears a billowing fur trimmed gown and a little fur necklace, though her chest is exposed to the elements. She looks out at the viewer with a coy expression on her face. According to the information on the website, this combination of luxury and seduction is typical of Boucher.

On Sunday the NY Times had a fabulous article on an outreach program at the Frick that really excited me. Students at the Ghetto Film School in the South Bronx are participating in a yearlong collaboration with the Frick. The program draws on the museum's collection to inspire the storytelling abilities of young people while simultaneously building fine arts into the school's curriculum. The students go to the museum on Mondays, when it is closed, for discussions with its curator on art by Rembrandt, Vermeer, Fragonard and others. The students then write scripts inspired by the art or the setting. They choose one script to make into a film and do the filming at the Frick. What a dynamic way to get young people involved in the art world and bring art to the schools. Go here to read more. You'll be surprised at the paintings that inspired the winning script. Wouldn't it be wonderful if more museums did this kind of thing? 
    

Monday, January 4, 2016

New Year, Old Book


Happy New Year! I hope you had a wonderful holiday season. The week between Christmas and New Year's is always a good one for browsing through books received as gifts. Or those bought as Christmas presents for yourself, which is what happened in the case of my favorite. It is a lovely old English edition of Quentin Bell's biography of Virginia Woolf. The book was published in England in two volumes and this is the second one, covering the years between 1912-1941. It is subtitled "Mrs. Woolf." I bought this biography back in the early seventies when it was first published. I read it from cover to cover and probably owe my passion for Virginia Woolf and her writing to this book. My original copy is pretty tattered from all the reading and underlining and not particularly attractive. I was thrilled when I found this gorgeous edition published in England in 1973 by the Hogarth Press. And that photo is so beautiful and expressive.

Here is a little background on why this book was so important at the time. Shortly before his death Leonard Woolf invited Virginia's nephew Quentin Bell to write her biography and gave him access to all her private documents including the diaries which she kept for most of her life. In addition he had access to important archives, letters, memoirs, and unpublished works of fiction by Virginia Woolf that no one else had seen. Because of all this new material, and of course Quentin Bell's excellent writing, the book was groundbreaking and gave the first realistic portrait of this remarkable woman.

As I looked through the book I was reminded of some of the milestone events in her life. They still take my breath away. Here are a few...

1912 -- The young and beautiful Virginia Stephen gets engaged to and marries Leonard Woolf. Just back from civil service in India, Leonard arrived in London at the age of 32. He was one of Thoby Stephen's closest friends and classmates from Cambridge and a member of the Apostles, the exclusive intellectual club at Cambridge. Bloomsbury friends and family such as Lytton Strachey and Vanessa Bell had long thought Leonard a good match for Virginia and strongly encouraged the engagement. In their opinion, he seemed to be the only person worthy of her as well as the only person equipped to love and care for this brilliant and fragile young woman.

1915 -- The publication of her first book "The Voyage Out." It received good reviews and was called  an original work of genius.

1917 -- She and Leonard buy a printing press and start the Hogarth Press. Their first publication was a book of two stories: "The Mark on the Wall" by Virginia and "Three Jews" by Leonard. Although it began as a hobby to relieve Virginia's stress, the Hogarth Press became a very successful business and published many renowned British authors such as T.S. Eliot, Katherine Mansfield and Vita Sackville-West.

1919 -- They buy Monks House in Sussex in order to have a country retreat near Virginia's sister Vanessa. Leonard designed a garden for Virginia and, as she earned more money from her books, they turned Monks House into a comfortable home. Both she and Vanessa hosted some of the most famous writers and artists of the time at their neighboring country retreats.

1922 -- Virginia meets Vita Sackville-West for the first time and is swept off her feet by this larger than life personality. She was fascinated by Vita's aristocratic background and spent time at Vita's ancestral childhood home Knole House. (Imagine Downton Abbey but bigger) This grand country house and estate would provide the inspiration for Virginia's later novel "Orlando." The novel was Virginia's gift to Vita who was unable to inherit Knole because she was a woman. Their friendship/affair had a huge impact on Virginia's life.

1925 - 1928 -- Virginia writes her three famous novels: "Mrs. Dalloway," "To the Lighthouse," and "The Waves." These books are considered her masterpieces. They put her on the map as one of the great modernists and, in many people's opinion, the most innovative writer of the twentieth-century. She became a literary celebrity and took part in the exciting arts and social scene that was happening in London in the twenties. She was even photographed for Vogue magazine.

1928 -- "Orlando" is published and becomes a turning point in Virginia's career as a successful novelist. It sold twice as many copies in the first six months as "To the Lighthouse" sold in its first year. She was finally making money and her brilliance was widely acknowledged. These were probably her happiest and most productive years.

1928 -- Virginia is a celebrity when she goes to Cambridge to read to the women's colleges two papers that will become "A Room of One's Own." This famous feminist book includes the line: "A woman must have money and a room of one's own if she is to write fiction."

Sometimes finding a beautiful copy of an old book can give it new life. This lovely edition made me go back and revisit a biography from long ago and the visit was definitely worthwhile.

By the way, did you watch the first episode of the final season of Downton Abbey last night?
There were Bloomsbury references! Edith shows her London flat to Rosamund and mentions writers she has met there such as Virginia Woolf and Lytton Strachey. This was the exact year that "Mrs. Dalloway" was published. Love finding these connections!

Wishing you a year of old and new books!